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期刊論文

1. 2005, Chen, Shu-ching,  “(Trans)National Imaginary and Tropical Melancholy in Jessica Hagedorn’s Dogeaters,” Concentric: Literary and Cultural Studies. 31.1 (January 2005). 95-121. NSC 92-2411-H-005-005-BI 計畫成果

 

2. 2004a, Chen, Shu-ching, “Magic Capitalism and Melodramatic Imagination: Producing Locality, Reconstructing Asian Ethnicity in Through the Arc of the Rain Forest《歐美研究》第三十四卷第四期,民國九十三年十二月。 587-625NSC 91-2411-H-005-003 計畫成果

 

3. 2004b, 淑卿。〈離散島嶼、漂流邊界:三部《流離島影》紀錄片的鄉愁、漂泊、及殤逝影像美學〉Intergrams: Studies in Languages and Literatures, 5.2-6.1 (September 2004) NSC 90-2411-H-005-003 計畫成果

 

4. 2003, 陳淑卿,〈家在邊緣:《摯愛》的空間政治〉《英美文學評論第六集》台北:中華民國英美文學學會出版,民國九十二年十一月。111-152

 

5. 2002, 陳淑卿,〈移/安置在地:論四部《流離島影》紀錄片的地方影像美學〉《中外文學》第三十一卷第六期,民國九十一年十一月號吳潛誠紀念專輯。158-185NSC 90-2411-H-005-003 計畫成果

 

6. 2001, 陳淑卿。〈書寫歷史災難:《倒風內海》的空間歷史與《一九四七高砂百合》的歷史空間〉《中外文學》第三十卷第九期,民國九十一年二月。 57-85

 

7. 2001, 陳淑卿。〈食物、性別與城市:《飲食男女》的都會民族誌〉《世紀中國:文化研究的理論與實踐》(三)。 D.10 (February 2000):

   http://www.cc.org.cn/wencui/010226200/0102262009.htm

 

8. 2000, Chen, Shu-ching. “To Report a Crime: The Woman Warrior as a Live/Life Testimony.” Intergrams: Studies in Languages and Literatures, 2.1 (February 2000): http://benz.nchu.edu.tw/~intergrams/intergrams/002/002-chen.htm.

 

9. 1998, Chen, Shu-ching. “Class Consciousness in Jacobean Female Writing Tradition: Aemilia Lanyer’s Sense of Self in “The Description of Cooke-ham.” Journal of the College of Liberal Arts, National Chung Hsing University, 28 (June, 1998), 327-44.

 

10. 1997, Chen, Shu-ching.  “Problematics of Spectatorship in Alfred Hitchcock’s Rebecca, Journal of the College of Liberal Arts, National Chung Hsing University, 26 (June, 1997), 229-41.

 

11. 1992, 陳淑卿〈《航向燈塔》的女性主義正文策略〉,本篇論文宣讀於於中華民國第四屆英美文學研討會,並收錄於國立台灣大學出版的《中華民國第四屆英美文學研討會論文集》,台北,1992.

 

12.  1991, Chen, Shu-ching. “The Other’s Language: Feminist Textual Strategies in

    To the Lighthouse.” Journal of the College of Liberal Arts, Naitonal Chung Hsing University, 21(March 1991), 111-28.

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